Winsor & Newton Designers Gouache - Tube of 14 ML - Prussian Blue (538)
Winsor & Newton Designers Gouache - Tube of 14 ML - Prussian Blue (538)
Winsor & Newton Designers Gouache - Tube of 14 ML - Prussian Blue (538)
Designers’ Gouache colours are made from the finest pigments, offering vibrant, opaque water colours with a flat, matt finish with tantalising range of 91 water colours. These are popular among designers, illustrators and commercial artists, our gouache paint is perfect for creating bold, vibrant artworks.
Prussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine
Designers’ Gouache colours are made from the finest pigments, offering vibrant, opaque water colours with a flat, matt finish with tantalising range of 91 water colours. These are popular among designers, illustrators and commercial artists, our gouache paint is perfect for creating bold, vibrant artworks.
Prussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine
The Galeria Acrylics line consists of 60 magnificent colors in 60ml tubes and 500ml Jars making it ideal for art & design students, hobbyists, muralists, decorative painters and fine artists who work on a grand scale.
Although Galeria Acrylics are sometimes referred to as a fine grade acrylic, their high pigment levels deliver professional results with significantly better covering power than many similarly priced brands
Designers’ Gouache colours are made from the finest pigments, offering vibrant, opaque water colours with a flat, matt finish with tantalising range of 91 water colours. These are popular among designers, illustrators and commercial artists, our gouache paint is perfect for creating bold, vibrant artworks.
Prussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine