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Gamblin Printmaking Relief Ink - Prussian Blue - Jar of 175 ML

₹1,990.00
In stock
SKU
R2560

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Prussian Blue - 175 ML Jar
Gamblin Printmaking Relief Ink - Prussian Blue - Jar of 175 ML
Gamblin Printmaking Relief Ink - Prussian Blue - Jar of 175 ML

Gamblin Printmaking Relief Ink - Prussian Blue - Jar of 175 ML

Gamblin Printmaking Relief Ink - Prussian Blue - Jar of 175 ML

SKU: R2560
In stock
0
0 reviews
  • Colour - Prussian Blue; Size - 175 ML; Series - 2; Pigment - Ferri-ammonium ferrocyanide (PB 27:1); Transparency - Semi-Transparent
  • Handcrafted using top quality pigments and carefully selected Burnt Plate Oils
  • Formulated for all relief techniques, including woodblock, linocut, monotype, and Solar plate
  • Unparalleled intensity and sensitivity to printmakers most finely detailed marks
  • Rolls out smoothly, and easily transfers solid fields of colour and fine detail from block to paper.
  • First synthetic color of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Warm blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.

The Galeria Acrylics line consists of 60 magnificent colors in 60ml tubes and 500ml Jars making it ideal for art & design students, hobbyists, muralists, decorative painters and fine artists who work on a grand scale.

Although Galeria Acrylics are sometimes referred to as a fine grade acrylic, their high pigment levels deliver professional results with significantly better covering power than many similarly priced brands

   
  • Colour - Prussian Blue; Size - 175 ML; Series - 2; Pigment - Ferri-ammonium ferrocyanide (PB 27:1); Transparency - Semi-Transparent
  • Handcrafted using top quality pigments and carefully selected Burnt Plate Oils
  • Formulated for all relief techniques, including woodblock, linocut, monotype, and Solar plate
  • Unparalleled intensity and sensitivity to printmakers most finely detailed marks
  • Rolls out smoothly, and easily transfers solid fields of colour and fine detail from block to paper.
  • First synthetic color of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Warm blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.